As we get better acquainted with the sounds cetaceans make, researchers look for innovative ways to analyze and interpret what is being heard. Recent articles, including this one by Science News for Students, based on a recent publication in Science Communication, a recent interview by NPR featuring Katy and Roger Payne, as well as the article featured below, indicate that language has structure and can be learned. This then drives research into whale culture and social structure. Hal Whitehead, from Dalhousie University, has been studying sperm whale social structure for decades (see Sperm Whales: Social Evolution in the Ocean, published in 2003). He will speak on this topic here on Tuesday, November 10, during our Whales in the Heart of the Sea lecture series.
One of the most interesting facets of this research is the use of spectrograms to visualize the sounds being made. Being the sight-focused species that we are, this visual representation of the sounds enhances our ability to recognize patterns, if indeed there are any.
This recent article in Smithsonian Magazine, featuring the work of David Rothenburg in Medium, combines spectrogram, sound and art to depict recognizable audio patterns as colorful shapes. We still don’t know what the male humpback was trying communicate with these vocalizations, but it’s clear that the sounds are not random meanderings.
The legacy of marine mammal sound recording started by William Schevill and William Watkins 60 years ago continues with new technology and new interpretive techniques. We will continue to follow these trends as the new stewards of the William A. Watkins Collection of Marine Mammal Sound Recordings and Data.