A musical celebration of all things nautical, presented in honor of Herman Melville’s birthday. The program includes Malcolm Arnold’s Three Shanties, George Chadwick’s Three Sea Sketches, hornpipes (sailor’s dances) from Water Music by George Frederic Handel, as well as music of Scott Joplin, a hot tango by Astor Piazzolla, and a medley of George M. Cohan’s greatest hits.

Friday, July 30, 5:00 pm:
Melville Society free public lecture: Discovering Whales, Petroglyphs, and Moby-Dick on the Olympic Peninsula in June 2008, with Robert K. Wallace

This illustrated talk will highlight some of the discoveries Robert Wallace made on the Makah Indian Reservation of the Olympic Peninsula during a two-week trip with landscape painter Kevin Muente. Wallace will emphasize his encounters with gray whales, a humpback whale, and ancient Ozette petroglyphs in a sequence of events that brought Melville’s Moby-Dick to life before his very eyes. Robert K. Wallace is a founder of the Melville Society Cultural Project at the New Bedford Whaling Museum.  He is author of Melville and Turner, Frank Stella’s Moby-Dick, and Douglass and Melville. He has taught Literature and the Arts at Northern Kentucky University since 1972

Saturday, July 31, 10am-2pm
HERMAN MELVILLE FAMILY DAY

You’re Invited to a whale of a party celebrating Herman Melville’s birthday! It features free activities for kids 12 years and younger on the plaza and in selected galleries. The day includes music by the Sea Chantey Chorus, art projects, historical characters, story readings, fun learning activities, kids art show, and birthday cake.

Ongoing activities:
Make whale hats, bookmarks & whale magnets
See the new 15-minute film, Around the World!
Take a new iPod tour
Story readings: pop-up kids’ Moby-Dick, and The Whale and the Snail
Kids’ Art Show
Hourly drawings to win family membership

A day packed with fun for families & kids, 12yrs. and younger

Herman Melville Family Day will feature many free activities for children 12 years and younger on the plaza and in selected galleries from 10:00 a.m. to 2:00 p.m. to celebrate Herman Melville’s 191st birthday. The event features music performed by members of the New Bedford Harbor Sea Chantey Chorus, art projects, historical characters, story readings, fun learning activities, kids art show, and a birthday cake, too.

Ongoing activities include making whale hats, whale tail bookmarks and whale magnets. A new 15-minute film, Around the World!, will play throughout the day in the Cook Memorial Theater and the museum’s new iPod tours will also make their public debut. Story reading in the whale galleries will include a pop-up children’s version of Moby-Dick, and The Whale and the Snail. A children’s art show in the Jacobs Family Gallery will include art awards in several categories. Hourly drawings to win a family membership to the Whaling Museum will also be given.

Special activities are scheduled throughout the day. From 10:00 a.m. to noon, kids can make their own floatable toy model of Cap’n Ahab’s ship, the Pequod. Wading pools on the plaza will allow even the youngest shipwrights to test their vessel’s seaworthiness before they take them home. At 11:00 a.m., a kids’ poetry workshop will be offered. At 11:30 a.m. whaling wives, Ruth and Abby from the 1840s, will visit with children. At noon, the museum’s youth apprentices will lead a special sperm whale activity. From 1:00 p.m. to 2:00 p.m., kids can paint a large whale statue to look like Moby Dick.

At 1:30 p.m., members of the New Bedford Harbor Sea Chantey Chorus will perform toe-tapping tunes from Melville’s day and other fun favorites. At 2:00 p.m., the Chorus will belt out a timber-shivering rendition of Happy Birthday, with kids of all ages invited to join in the singing, and enjoy a slice of birthday cake.  Children must be accompanied by an adult.

Herman Melville Family Day is hosted by the Museum’s education department in partnership with the Melville Society Cultural Project, New Bedford Whaling National Historical Park, and the Massachusetts Cultural Council.

Join us for a fun-filled day celebrating Herman Melville’s birthday! Have fun with our exciting science activities and art projects, along with a reading of a children’s version of Moby Dick and live music. The winners of the Melville Art Contest will be announced and we will end the day with some birthday cake!  Activities for the birthday celebration are FREE and open to the public!

Date: Saturday, July 31, 2010

Time: 10:00am – 2:00pm

Location: New Bedford Whaling Museum

For more information, please contact Jenn Cruz at jcruz@whalingmuseum.org or (508) 997-0046 x117.

Here’s an example of an Emoji sentence from Moby Dick:

Read more about Fred’s Emoji Dick Project at Kickstarter.

Calliope Pina Parker is a sixth-grader who reads as many as 10 books a week and favors Harry Potter.  She is an avid user of libraries, borrowing from across the region. When budget cuts in Hull not only sheared the local library’s funding and hours, but also cost the town its state certification last month, Calliope took matters into her own hands.

Since January Calliope had been thinking about organizing a reading marathon. That was when her dad, Mark Parker, brought the family to see a friend participate in the New Bedford Whaling Museum’s annual reading of “Moby-Dick’’ – not yet one of Calliope’s favorites. But she appreciated the experience and thought about arranging her own reading marathon, which she did.  A March 6th readathon and bake sale was held, with wizardly cupcakes and “magic wand’’ frosted pretzel rods, raising awareness about the library’s circumstances and collecting money for the nonprofit Friends of the Hull Public Library.

Read the full story as posted by Eric Moskowitz at boston.com

The whale is perhaps the most mysterious animal known to man.  For centuries it inspired awe and fear, and was hunted for its oil, blubber and whalebone.  Now it is seen as a symbol of an ecological threat, a barometer for a world out of kilter.  It is even more remarkable that the transition from an age of whale-hunting to an era of whale-watching has happened within living memory.

Humpback off Tasman Peninsula, Tasmania

Ancient myth regarded the whale as an uncanny monster, a creature beyond comprehension.  A whale might swallow a single human being, such as Jonah, or an entire city, as one Greek myth imagined.  The poet William Blake wrote of a terrifying vision, ‘the head of Leviathan, his forehead was divided into streaks of green and purple like those on a tyger’s forehead…advancing towards us with all the fury of a spiritual existence’.

But ever since the early Basque fishermen travelled as far as the north-east coast of America to hunt whales, humans also saw these animals as a source of wealth.  When the Pilgrim Fathers sailed into Provincetown harbour in 1620, they saw  hundreds of whales ‘playing hard by us, of which in that place, if we had instruments and means to take them, we might have made a rich return’.  By the early 1800s, Provincetown was a profitable whaling port with a fleet of 70 ships, almost rivalling New Bedford – then the richest city in America, wealthy on whale oil – in what was, in effect, a New England version of a Texan oil boom.

Feeding humpback and shearwater, Stellwagen Bank, October 2009

Initially the hunt concentrated on coastal right whales and Greenland or common whale (bowheads) that supplied not only oil from their blubber, but huge pieces of baleen or whalebone that, in the days before plastic, were used for everyday objects from corset stays to carriage suspension, umbrellas and even Venetian blinds.  But the development of onboard tryworks – largely an American innovation – enabled ships to go further afield in the hunt for the sperm whale, whose pugnacious head contained spermaceti oil – the purest known to man, and prized for its light-creating and lubricating properties.  Whale oil, rather than mineral oil, lit and lubricated the Industrial Revolution.  The result for the whale was disaster.

Yet the 19th century culls paled in comparison with those of the 20^th century.  With the invention of steam ships and grenade harpoons, even the faster, rorqual whales – such as the blue and fin whales, the largest animals ever to live on Earth – came within range.  By now, America had turned to another oil in the fuelling of its empire, leaving British, Norwegian, and Russian factory ships to harvest this unsustainable resource.  By the 1960s, they were taking more whales in one year than the American whalers had taken in a century and a half of whaling.  The declaration of an international moratorium on whaling in 1986 came only just in time for the blue whale, now reduced to just 15,000 animals.

The sprawling, idiosyncratic work of genius that is Moby-Dick, published in 1851, was extraordinarily prophetic.  Not only did Melville foresee the threat to the whale in chapters such as ‘Does The Whale’s Magnitude Diminish? – Will He Perish?’, but he  also used the whaling industry as an allegory of American imperial power.  Melville configured the crazed Captain Ahab – who goes in pursuit of the eerie White Whale which scythed off his leg, determined to wreak his revenge – as a symbol of obsessive evil.

If you had any doubt about its prescience, just read the last page of the first chapter of Moby-Dick, in which the writer satirises his own narrator’s self-importance in mock newspaper headlines:

‘Grand contested Election for the Presidency of the United States.’

‘WHALING VOYAGE BY ONE ISHMAEL’

‘BLOODY BATTLE IN AFFGHANISTAN’

Indeed, modern political commentators have compared the ‘war on terror’ to Ahab’s impossible mission.  Only days after the 9/11 attacks, Edward Said wrote, ‘Collective passions are being funnelled into a drive for war that uncannily resembles Captain Ahab in pursuit of Moby Dick, rather than what is going on, an imperial power injured at home for the first time…’  Such madness is seen as one which endangers the hunter more than it does his prey.  After all, as anyone who had made it to the end of Melville’s long and digressive novel knows, it is the whale that wins.

Humpback off Cape Cod

Yet this is not a story with a happy ending.  This past December, in Hobart harbour, I watched as Sea Shepherd’s ‘Ady Gil’, eco-warrior Paul Watson’s latest weapon in his war against Japanese whaling readied itself for departure.  The black-painted and futuristic trimaran – a former racing vessel looking more like a watery version of the Batmobile– was about to do battle with a whaling fleet that persistently breaches Australian waters to hunt for whales under the guise of ‘scientific research’.

As I looked on from the quayside, the dreadlocked and tattooed crew – who would have looked more at home at rock festival than on an ocean-going vessel – got ready for the fight.  It occurred to me, even then, that for all its apparent power, their craft would prove flimsy in the face of ocean waves – let alone Japanese resistance.  Yet its crew are undoubtedly committed.  Later, fresh from watching humpback whales off the Tasman Peninsula, I met one shaven-headed former Sea Shepherd acolyte, who spoke with a passionate devotion to Paul Watson – a modern Ahab if there ever was one – that was almost cultish in its intensity.  Last month, his friends met their foe in the freezing waters of the Southern Ocean – and suffered a collision, the rights and wrongs of which are still unclear.

Perhaps what’s needed here is dialogue, not violence in return for violence.  More pragmatic whale conservationists even envisage allowing Japan a local quota for whaling – thereby curtailing their unregulated pelagic fleet – in return for some kind of control.  They reason that if the Japanese are pushed to anger any further, they may abandon all pretence of abiding by the IWC, and thus we (the largely Western nations devoted to anti-whaling) will lose all semblance of control over the issue.

There is political context to remember, too.  Post-war Japan, defeated and starving, was encouraged by Allied powers to convert their decommissioned naval fleet into a whaling fleet, in order to feed their nation.  Given this history, we might start to understand the greater political picture.  It is intriguing to note that American literary critics of Moby-Dick compared the atom bomb tests in the Pacific – itself the arena in which the novel’s dramatic narrative reaches its violent denouement – to the White Whale.  In The Trying-Out of Moby-Dick, published in 1949, Howard P. Vincent considered that Moby Dick was ‘ubiquitous in time and place.  Yesterday he sank the Pequod; within the past two years he has breached five times; from a New Mexico desert, over Hiroshima and Nagasaki, and most recently, at Bikini atoll.’

Japan also points out that IWC-sanctioned aboriginal whale hunts take place in American waters every year – what is the difference between that and their own claim to cultural precedence in coastal towns?  And since the Japanese were encouraged and even assisted in post-war whaling by the West, it irks to be lectured on the subject.  ‘It’s not because Japanese want to eat whale meat,’ Ayako Okubo told the New York Times in 2007.  ‘It’s because they don’t like being told not to eat it by foreigners.’

Indeed, some contest that it was America’s over-use of pressure on the Japanese – and the moral weight of the environmental lobby – which pushed Japan into its current and apparently intransigent position.  Although America was highly vocal in the anti-whaling campaign of the 1970s (presenting a proposal to a 1972 United Nations conference on the environment to ban all whaling for ten years), things might have been very different if, like Russia, Norway and Japan, the US had maintained a whaling presence in the post-war years.  If its industry had not withered in the late 19th century, there may not have been the political impetus to ban international whaling.  Perhaps this is the true legacy of Moby-Dick.

The Pacific bears an ironical name; for more than two centuries it has been an arena for imperial and economic appropriation, a truly fatal impact for its native peoples and animals.  The Australian government, under Kevin Rudd, is determined to end Japanese whaling in their waters.  But as more than one whale conservationist in Australia confided to me, Sea Shepherd’s antics may, for all their popular support in Australia and America (the Red Hot Chili Peppers are just one of the donors to their cause), be actively shackling the Australian government’s diplomatic efforts to end the slaughter.  One is left to wonder: is Paul Watson’s project a mere act of vanity?  Maybe – but the rebel in me still applauds his Ahabian madness.

Herman Melville was playing on ancient fears and myths of the whale.  My own mission was to discover the truth behind our relationship with the whale.  In the process, I came closer to the object of my pursuit than I had ever thought possible.  The encounter which provides the climax to my book was the single most exciting, terrifying moment of my life.  What I learned that day was that the vexed shared history between human and whale has yet to run its course.  Even now, in an age of science and domination, these creatures remain deeply mysterious animals, beyond our reach.  We still have a lot to learn about each other.

Listen to the Tom Ashbrook interview Philip Hoare, callers to the program, and whale songs at wbur.org