At 3:00 p.m., the museum’s Volunteer Council will host a “Volunteer and Trustee Remembrance” in the Seamen’s Bethel, located adjacent to the museum on Johnny Cake Hill. Family, friends and associates are invited to join volunteers and the board of trustees as they gather in fond remembrance of departed members.

At 4:00 p.m. the 109th Annual Meeting of the Old Dartmouth Historical Society – New Bedford Whaling Museum takes place in the Cook Memorial Theater and includes a review of the past year’s activities, election of officers, and incoming members of the Board of Trustees, Class of 2015.

Immediately following the Annual Meeting, the 3rd annual graduation ceremony for the graduating apprentices of the New Bedford Whaling Museum Apprentice Program, Class of 2012 will commence in the Theater.

At 5:30 p.m. by an exhibition of new paintings titled Dora Atwater Millikin: New Bedford Harbor Today, opens in the Centre Street Gallery – Level II. A reception in the Jacobs Family Gallery follows the opening.

Mark Leary, Korey Martin and Dana Costa install custom doors and panels made by GNB Voc-Tech carpentry students for “Scrimshaw: Shipboard Art of the Whalers” opening May 13, 2pm.

Building the many and varied display cases needed for the world’s largest scrimshaw exhibit would have been a daunting task were it not for the students of Greater New Bedford Regional Vocational Technical High School. Voc-Tech’s carpentry classes fabricated more than 29 custom doors and viewing panels for the new gallery, set to open to the public on Mothers Day, Sunday, May 13 at 2:00 p.m.

James Russell, museum president, lauded the students’ work, noting “How great is it that much of what we admire in the museum’s collection was made by master craftsmen! Today, skilled students from Voc-Tech are back at the museum, helping to build exhibits that house these masterpieces – to be enjoyed by New Bedford residents and visitors for years to come.”

The museum’s staff, designers and carpenters worked with GNB Voc-Tech’s coordinator of construction projects, Robert Gomes, and carpentry teacher, Donald Derosiers, on the exacting specifications for the elaborate cabinetry required to exhibit hundreds of rare examples of scrimshaw – the 19th century shipboard art of whalers. Students utilized the school’s state-of-the-art CNC (computer numerical control) milling machinery to create the seamless doorframes and panels.

Master carpenter, Dana Costa, rebuilt and refitted existing museum cases and installed the Voc-Tech components with the assistance of Mark Leary and Korey Martin.

The exhibit opening caps the museum’s 23rd annual Scrimshaw Weekend, May 11-13, which attracts scrimshaw experts, collectors and fans from around the world. Titled Scrimshaw: Shipboard Art of the Whalers, the exhibit is curated Dr. Stuart M. Frank, Senior Curator, with the assistance of museum volunteers John Antones, Richard Donnelly, Michael Gerstein, Vasant Gideon, Judith Lund, Barbara Moss, Sanford Moss, Catherine Reynolds and James Vaccarino.

The largest permanent exhibit of its kind, Scrimshaw: Shipboard Art of the Whalers coincides with the launch of a major new book on scrimshaw, titled Ingenious Contrivances, Curiously Carved: Scrimshaw in the New Bedford Whaling Museum by Dr. Frank – a 400-page reference with more than 700 photographs by Richard Donnelly.

Admission to the Sunday opening of the scrimshaw exhibit and book launch: regular admission rates apply. In honor of Mother’s Day, mothers are admitted free when accompanied by at least one member of her family.

Scrimshaw removed from storage prior to placement in new Scrimshaw Gallery

The weekend kicks off on Friday, May 11, from 12:00 p.m. to 5:00 p.m. with the third annual Nautical Antiques Show featuring for sale high quality marine antiques including scrimshaw, nautical instruments and tools, whaling logbooks, ship models, photos, paintings, prints, New Bedford memorabilia, and more in the Jacobs Family Gallery. Entry fee to the Nautical Antiques Show only is $5, or free with museum admission or membership.

On Friday evening from 6:00 p.m. to 8:00 p.m., a cocktail reception in the Dutch Gallery will include a VIP preview of the new scrimshaw exhibit.

On Saturday, May 12, registration begins at 9:00 a.m. with plenary sessions starting at 10:00 a.m., to include, “William Sizer, Scrimshaw Artist: A Comprehensive Review” with John Miklos (Chicago); “The Latest Scrimshavological Forensic Analysis of the Anonymous and Mysterious Mantelpiece Maker,” with Donald C. Boger, M.D. (Los Angeles); “Remarks on Scrimshaw,” with Captain Thomas Conley (Chicago); buffet luncheon in the Jacobs Family Gallery.

Saturday afternoon sessions include “Scrimshaw: The Artist’s Eye,” with Ryan Cooper, scrimshaw artist (Cape Cod); “Market Report” with Andrew Jacobson (Ipswich, Mass.); “The California Penal Code and the California Crackdown,” with James Vaccarino, J.D., Scrimshaw Forensics® team; a panel discussion on the California Crackdown, with  Hon. Paul E. Vardeman, J.D. (Kansas City), Ken Brown (San Francisco), Rod Cardoza (San Diego), Chuck DeLuca (York, Maine and San Rafael, Calif.), Andrew Jacobson, and Stuart M. Frank, Ph.D. (moderator).

At 5:30 p.m., a cash bar will be followed by a banquet dinner at 7:00 p.m. in the Jacobs Family Gallery. The evening’s keynote, titled “Matchmaking” will be presented by Jack H.T. Chang, M.D. (Denver) at 8:00 p.m. in the Cook Memorial Theater.

On Sunday, May 13 at 10:30 a.m.: A Salute to Don Ridley: “Scrimshaw Fakes, Dangerous and Not So Dangerous,” with Stuart M. Frank in the Cook Memorial Theater; 11:15 a.m., VIP tour and discussion of “Seven Continents, Seven Seas,” with Stuart Frank, Wattles Family Gallery; lunch is on your own.

On Sunday at 2:00 p.m., a new exhibit, “Scrimshaw: Shipboard Art of the Whalers” opens to the public. The largest permanent exhibit of its kind, it coincides with the launch of a major new book on scrimshaw, titled “Ingenious Contrivances, Curiously Carved: Scrimshaw in the New Bedford Whaling Museum.” by Stuart M. Frank. Published by David R. Godine, Boston, this definitive 400-page reference to the world’s largest scrimshaw collection includes more than 700 photographs by Richard Donnelly. Dr. Frank will be available to sign copies of the book. Light refreshments will be served.

Registration fee for Scrimshaw Weekend includes admission to the museum, all open galleries, nautical antiques show, all plenary sessions, Scrimshaw VIP Preview, exhibit opening, book launch, all scheduled meals, and refreshments: $370 (museum members $330). Tickets to Saturday’s banquet only: $75 each.

Admission to the Sunday opening of the scrimshaw exhibit and book launch only: regular admission rates apply. In honor of Mother’s Day, mothers are admitted free when accompanied by at least one member of her family.

For more information or to register, please contact visitor services at (508) 997-0046, ext. 100 or email: frontdesk@whalingmuseum.org. For the full schedule of events and program updates, please visit the museum website, www.whalingmuseum.org.

Special hotel room rates are available for Scrimshaw Weekend attendees. Call for details: Fairfield Inn and Suites New Bedford (Tel. 774.634.2000), and Hampton Inn New Bedford/Fairhaven (Tel. 508.990.8500).

The New Bedford Whaling Museum gratefully acknowledges the generous support of Northeast Auctions, LLC of Portsmouth, NH, and the Maine Antique Digest.

"Wharfage," oil on linen, 2011, is in an exhibition of new works by Dora Atwater Millikin opening May 18

An exhibition of new paintings titled Dora Atwater Millikin: A Portrait of New Bedford Harbor Today will open at the New Bedford Whaling Museum on Friday, May 18 at 5:30 p.m. in the Centre Street Gallery – Level II.

With her studio in Westport Point, Massachusetts, Millikin has studied the New Bedford waterfront for years, inspired by its busy harbor and the fishing industry. The exhibition explores volume, shape, light, color, and texture, reflecting the artist’s interest in the everyday and the ordinary, the gritty and the ‘real’ – while at the same time revealing the material properties of the paint itself and the luminosity it creates in juxtaposition.

Dora Atwater Millikin grew up in Little Compton, Rhode Island. She was educated at the Stoneleigh-Burnham School, Greenfield, Massachusetts, Newcomb College (Tulane University in New Orleans, Louisiana), and Lyme Academy College of Fine Arts, Old Lyme, Connecticut. She has served as vice president of the board of directors of both The Art League of Rhode Island and South Coast Artists, Inc., and she is an elected artist member of the Copley Society.

Recognition of her work includes the Edwin Gould Foundation Award, the John Stobart Fellowship Award, the Joseph Hartley Memorial Award for Oil, and the Fidelity Investments annual juried competition at the Providence Art Club.

An artist member and painting teacher at the Providence Art Club, Dora’s work is represented by Walker-Cunningham Fine Art, Boston. Her work can be found in museum, corporate and private collections in the United State and Europe.

The exhibition runs through October 18, 2012

Kirk J. Nelson

Kirk J. Nelson will present an illustrated lecture titled New Bedford Glass and Its Context on Thursday, April 26 at 7:30 p.m. – part of the 2012 Old Dartmouth Lyceum lecture series on fine and decorative arts. A reception at 6:30 p.m. in the Jacobs Family Gallery precedes the lecture.

Mr. Nelson is executive director of the New Bedford Museum of Glass, located at 61 Wamsutta Street. He earned his MA degree and Certificate of Museum Studies from the Winterthur Program in Early American Culture at the Winterthur Museum and the University of Delaware. An expert on the development of the American glass press during the 1820s and 1830s, Mr. Nelson is an Honorary Fellow of the Corning Museum of Glass, former Curator of Glass at the Sandwich Glass Museum and former Curator of Art & Decorative Arts at the Bennington Museum. He has lectured and published extensively on a wide variety of glass-related subjects. His practical glass working experience includes Pairpoint Crystal, Inc. of Sagamore, Massachusetts, and the operation of a glass studio in East Sandwich.

In 1993, Mr. Nelson was one of five founding trustees to establish the Glass Art Center, Inc., which was affiliated with Bradford College in Bradford, Massachusetts. After the closing of the college the Center relocated to New Bedford and reincorporated in 2006 as the New Bedford Museum of Glass.

The museum collection consists of 7,000 objects documenting more than 3,000 years of glassmaking history. It covers many regions and periods, from ancient to contemporary, with special emphasis on the city of New Bedford, celebrated in the late 19th century as the “Art Glass Headquarters of the Country.” Rose Amber glass, Crown Milano, Royal Flemish, Burmese and Lava glass are just a few of the exotic lines developed in New Bedford.

The museum’s library holds more than 8,000 volumes in ten languages on glass related topics, including the Shirley Collection of the Mount Washington Glass Company – containing the firm’s original glass patents, trade catalogs, correspondence, photographs, and international awards.

Admission to the lecture and reception: $15 members; $20 non-members. For tickets, call (508) 997-0046 Ext. 100.

The 2012 Speakers’ Series is presented by BayCoast Bank, and sponsored in part by C.E. Beckman, and Hampton Inn Fairhaven/New Bedford.

"The Whale Beached between Scheveningen and Katwijk, with Elegant Sightseers," by Esaias van den Velde, c.1617, is one of several Dutch Old Master whaling paintings in “Seven Continents, Seven Seas” opening February 9 and will be the subject of a free lecture by Dr. Stuart Frank at 7:30 p.m.

Admission to the opening, lecture and reception is free.

“This year marks the tenth anniversary of the gift of the entire holdings of the former Kendall Whaling Museum to the permanent collection of the New Bedford Whaling Museum. This provides a fitting occasion for showing highlights, reflecting the broad international and chronological compass of our combined collections,” said Dr. Frank.

Dutch Old Master whaling paintings will be represented, along with major British marine paintings of the 18th and 19th centuries by Continental European and American painters. The exhibit also includes visions of Africa, Australia, and Antarctica, representing all seven continents and all seven seas in the selected paintings, watercolors, ship models, Japanese scrolls and sculptural works.

Admission to all museum galleries on AHA! night is buy one, get one free (of equal or lesser value).

Gary Jobson (photo: Billy Black)

Gary Jobson, world-class sailor and president of US SAILING will be the first of 12 distinguished speakers in a combined lecture series beginning on Thursday, February 2 at the Whaling Museum.

Gary Jobson will present “Sailing: Speed and Passion.” A world class sailor, television commentator and author, Jobson is President of US SAILING, the national governing body of sailing in the United States. He has authored 17 books on sailing, is Editor-at-Large of Sailing World and Cruising World magazines and has been ESPN’s sailing commentator since 1985. In October 2003 he was inducted into the America’s Cup Hall of Fame by the Herreshoff Marine Museum. In 1999, Jobson won the Nathanael G. Herreshoff Trophy, US SAILING’s most prestigious award. He currently races a Swan 42, Mustang, and an Etchells, Whirlwind.

Jobson’s illustrated talk is the first of 12 programs scheduled this winter and spring – February 2 through May 10 – part of the Whaling Museum’s three signature lecture series now combined: the Sailors’ Series (5 programs), Man and Whales (3 programs), and the Old Dartmouth Lyceum (4 programs). Held on Thursday evenings, all programs include a reception at 6:30 p.m. in the Jacobs Family Gallery followed by the lecture at 7:30 p.m. in the Cook Memorial Theater.

Admission to each lecture: member, $15; non-member, $20. Select any number of programs when you confirm. Subscription to the combined series: members, $165.00 for all 12 lectures; non-members, $225.00. For tickets please call (508) 997-0046 Ext. 100.

The Sailors’ Series (SS) celebrates its 22nd year with illustrated lectures presenting a wide variety of experience and adventures by individuals with lifelong commitments to sailing, boats, and the sea. Thursdays: February 2 and 16, March 22, April 12 and 19.

The Man and Whales series (M&W) examines our changing views of marine mammals with science-themed lectures that bring focus to important whale conservation topics through the expertise of those who dedicate their professional lives to these issues. Thursdays: March 1, 15 and 29.

The Old Dartmouth Lyceum series (ODL) illuminates broader historical themes with fine and decorative arts by examining significant holdings in the Museum collection, including 19th century landscape painting, ceramics and glassware. Thursdays: April 5 and 26, May 3 and 10.

Schedule:

February 16 – John Rousmaniere: “The Golden Pastime,” an illustrated history of American yachting history. (SS)

March 1 – Dr. Peter Capelotti: “The Whaling Expedition of the Ulysses 1937–38.” (M&W).

March 15 – Dr. Stephen Godfrey: “When Whales Walked the Earth: Fossil Whales and Olfactory Evolution.” (M&W)

March 22 – Douglas Adkins: “Dorade; the History of an Ocean Racing Yacht.” (SS)

March 29 – Capt. Stacy Pedrozo, USN, C.O., Naval Justice School, and Capt. Tom Fetherston, USN Retired, “Whose Homeland Security? Protecting Marine Mammals While Protecting National Security.” (MW)

April 5 – Stuart P. Feld, Hirschl & Adler Galleries: “Museum acquisitions during the tenure of Director and Curator Richard Kugler.” (ODL)

April 12 – Capt. Sean S. Bercaw: “Full Sail into Cuba on the Amistad.” (SS)

April 19 – Rich Wilson: “Race France to France, Leave Antarctica to Starboard.” (SS)

April 26 – Kirk J. Nelson: “New Bedford Glass and Its Context.” (ODL)

May 3 – Keith Kauppila: “Visual Culture of the Civil War,” (ODL)

May 10 – Chris Gustin: “Finding Form.” (ODL).

The 2012 lecture series is presented by BayCoast Bank, and sponsored in part by C. E. Beckman, and Hampton Inn Fairhaven/New Bedford.

A capacity crowd gathers in the Jacobs Family Gallery to hear the conclusion of Moby-Dick

The 16th Annual Moby-Dick Marathon is now one for the history books, in so many ways. High media interest and unseasonably warm weather for January encouraged record numbers of visitors to drop in for a look-see. Over the course of the weekend (January 6-8, 2012) more than 2,900 visitors came to the Museum. Many stayed and listened longer than ever before to the book often described as the greatest work of American literature.

Among the more than 150 readers, many notables particpated, including Congressman Barney Frank, Congressman William Keating, Mayor Jon Mitchell and several former New Bedford Mayors, as well as Peter Whittemore, the great, great grandson of Herman Melville.

Nearly 100 guests enjoyed the ticketed buffet dinner in the Jacobs Family Gallery on Friday evening (January 6), which kicked off a weekend of activities surrounding the Marathon.

Following dinner, a lecture titled “Moby-Dick in American Popular Culture,” presented by the Melville Society’s Dr. Timothy Marr (University of North Carolina at Chapel Hill), was attended by 187 Melville fans in the Cook Memorial Theater.

Melville Society scholars were kept busy with questions throughout the event, holding court in the Wattles Family Gallery, discussing all matters Moby-Dick and Melville. With much good humor, they were also peppered with perplexing queries of the widest sort, posed by the public in the Stump the Scholars II program on Saturday morning. General order and alacrity of the proceedings were ably kept by the moderator, Michael Dyer, Maritime Curator, with laughs aplenty throughout.

Congressman Barney Frank

One highlight of the weekend was a performance at the Seamen’s Bethel by the critically acclaimed tenor, Jonathan Boyd. He performed the hymn from Chapter 9 to music by Philip Sainton, penned for the film score for John Huston’s 1956 film. Boyd will star as “Greenhorn” in Jake Heggie’s new opera, “Moby Dick,” set to premiere at the San Diego Opera in February. A contingent of museum trustees and members will travel to the West Coast to see it.

Rev. Dr. Edward R. Dufresne delivered an inspired reading of Father Mapple’s sermon on Jonah and the Whale in the Bethel.

And again, this year’s Marathon was live streaming on the museum’s website and was viewed by unprecedented numbers; more on that in another post.

The 16th annual Moby-Dick Marathon celebrates the 160th anniversary of Herman Melville’s literary masterpiece with a 25-hour nonstop reading of the book during a weekend of activities and events, January 6 – 8, 2012, including a performance by the critically acclaimed American tenor, Jonathan Boyd. Admission is free.

On Friday, January 6 at 5:30 p.m. the weekend kicks off with a ticketed buffet dinner and cash bar in the Jacobs Family Gallery. For tickets to the dinner ($25), call (508) 997-0046 ext. 100.

Dinner will be followed by a free public lecture titled “Moby-Dick in American Popular Culture,” presented by Dr. Timothy Marr, at 7:15 p.m. in the Cook Memorial Theater. Co-editor of “Ungraspable Phantom: Essays on Moby-Dick,” Professor Marr teaches American Studies at the University of North Carolina at Chapel Hill. He serves as an executive member of the Melville Society Cultural Project and is a contributor to the Melville and the Digital Humanities project of the Melville Electronic Library.

On Saturday, January 7 at 10:00 a.m., “Stump the Scholars II,” returns by popular demand – a free program in which the audience is invited to pose questions to Melville Society scholars on all matters Moby-Dick in the Cook Memorial Theater. Patterned after NPR’s popular quiz show, “Wait, wait, don’t tell me,” prizes will be awarded to those who can stump the scholars.

At 11:30 a.m. in the Bourne Building, Melville Society members will read many of the 80 brief Extracts related to whales and whaling, which Melville included before Chapter 1.

At noon, the Moby-Dick Marathon begins with “Call me Ishmael” – the most famous opening line in American literature. With more than 150 scheduled readers, the marathon will continue through the night, ending early Sunday afternoon. All reading slots have been booked. The public is cordially invited to come and go at any time during the marathon, or stay for the entire 25 hours and win a prize.

On Saturday at approximately 1:30 p.m., marathon participants will walk next door to the historic Seamen’s Bethel (est. 1832) – located at 15

Tenor Jonathan Boyd will sing at the marathon, Jan. 7. Boyd stars in Jake Heggie's new opera, Moby-Dick, which premieres at the San Diego Opera in February. (photo: www.uzanartists.com)

Johnny Cake Hill for the reading of Chapters 7, 8, and 9, titled “The Chapel,” The Pulpit,” and “The Sermon” – all three chapters take place in the original “Whaleman’s Chapel.” This segment will feature a performance by Jonathan Boyd, the critically acclaimed American tenor starring in the San Diego Opera’s co-production of Jake Heggie’s “Moby-Dick,” a new opera hailed “a triumph” by the Dallas Morning News. Boyd has made recent notable debuts at Opéra de Nice and Opéra de Toulon, and has performed with opera companies throughout the United States. He will sing the hymn from Chapter 9.

Readers and guests are also invited to “Chat with a Melville Scholar” from 3:00 p.m. to 5:00 p.m. in the Wattles Family Gallery or take a guided tour of the “Imagining Moby!” exhibit with Dr. Robert Wallace, Northern Kentucky University.

Chapter 40, “Midnight, Forecastle” will be performed in the Cook Memorial Theater by members of Culture*Park, a theater and performing arts collaborative.

The Museum’s website www.whalingmuseum.org will provide live streaming of the marathon throughout the weekend. Tweet the marathon with hashtag #MDM16.

Three related exhibits during the marathon include, “Imagining Moby!,” “Visualizing Melville” and the 1956 Moby-Dick publicity panels. “Imagining Moby!” showcases the collection of Melville scholar, Dr. Elizabeth A. Schultz, including works by Leonard Baskin, Richard Ellis and Rockwell Kent in the Centre Street Gallery, Level 2. “Visualizing Melville” pairs items from the Museum’s collections with Melville’s vivid text, including “Quakers with a vengeance” and “a heathenish array of monstrous clubs and spears” in the Changing Gallery, Level 2. The 1956 Moby-Dick publicity panels feature movie memorabilia displayed in the windows of the Research Library.

Images related to the book will also be projected in the Cook Memorial Theater throughout the marathon, presented by the Museum’s youth apprentices.

A midwinter tradition, attracting hundreds of Melville fans from around the world, the marathon marks the anniversary of Melville’s January 1841 departure from the port of New Bedford and Fairhaven aboard the whale ship, Acushnet.

Refreshments will be available throughout the Marathon.

This year’s marathon is a program of MOBY! – a partnership of the New Bedford Whaling Museum, the Zeiterion Performing Arts Center and New Bedford Whaling National Historical Park to celebrate the iconic tale of the ‘Great White Whale’ and is funded through a grant from the Education through Cultural and Historical Organizations (ECHO), administered by the United States Department of Education, Office of Innovation and Improvement.

Moby-Dick Marathon Weekend Schedule of Events

Friday, January 6

5:30 p.m.: Ticketed buffet dinner and cash bar, Jacobs Family Gallery.

7:15 p.m.: Public lecture, “Moby-Dick in American Popular Culture,” with Dr. Timothy Marr, Cook Memorial Theater.

Saturday, January 7

10:00 a.m.: Stump the Scholars II, Cook Memorial Theater.

11:30 a.m.: Moby-Dick “Extracts,” Bourne Building.

12:00 noon: Moby-Dick Marathon begins, Bourne Building.

1:30 p.m. (approx.): Chapters 7– 9 in the Seamen’s Bethel with tenor Jonathan Boyd.

2:30 p.m. (approx.): Marathon continues, Jacobs Family Gallery.

3:00-5:00 p.m.: Chat with a Melville scholar, Wattles Family Gallery.

3:00-5:00 p.m.: “Imaging Moby!” tour with Dr. Robert Wallace, Centre Street Gallery.

7:00 p.m. (approx.): Chapter 35 to Chapter 40. “Midnight, Forecastle” performed by Culture*Park, Cook Memorial Theater.

8:00 p.m. (approx.): Marathon continues, Jacobs Family Gallery.

Sunday, January 8

1:00 p.m. (approx.): Marathon concludes with the Epilogue.

Ongoing related exhibits: “Imagining Moby!,” “Visualizing Melville” and the 1956 Moby-Dick publicity panels. Moby-Dick slide show, Cook Memorial Theater.

"Ahab" by Leonard Baskin, from his "Moby Dick Suite" of lithographs, 1970.

MOBY! – The New Bedford Whaling Museum and the Zeiterion Performing Arts Center come together to celebrate the iconic tale of the great white whale November 3-5.

Imaging Moby!, an exhibition of contemporary art inspired by Herman Melville’s novel, “Moby-Dick” opens at the Museum on Friday, November 4 at 5:00 p.m. and includes works by Rockwell Kent, Leonard Baskin, and Richard Ellis. Admission is free to the exhibit.

Imaging Moby! is drawn from the collection of Elizabeth Schultz, scholar, poet, professor emerita at the University of Kansas, and author of “Unpainted to the Last”: Moby-Dick and Twentieth-Century American Art (1995). Dr. Schultz has been collecting art inspired by Moby-Dick for decades. A member of the Melville Society, she donated her collection of twentieth-century paintings, prints, and other graphic works to the museum earlier this year.

Dr. Schultz noted, “the special joy of having the collection at the Whaling Museum is that, along with the Melville Society Cultural Project, I imagine working with many committed groups to develop new ways of using these visual images to present Moby-Dick and the stories of whales to diverse audiences – children and adults, Americans and people from other cultures.”

A reception in the Jacobs Family Gallery in honor of Dr. Schultz will follow the exhibit opening.

The Imaging Moby! exhibit is part Moby! – a series of related programs in art, on screen, in the community and on stage to mark the 160th anniversary of Melville’s classic – in partnership with the Zeiterion Performing Art Center, the New Bedford Whaling Museum and New Bedford Whaling National Historical Park.