A lecture on this topic will take place here at the New Bedford Whaling Museum on Thursday, March 29, at 6:30 pm. Capt. Stacy Pedrozo, USN, C.O. Naval Justice School and Capt. Tom Fetherston, USN Retired, will present “Whose Homeland Security Is It: Protecting Marine Mammals While Protecting National Security” For more information visit http://www.whalingmuseum.org/programs/speakers-series/man-and-whales

The problem doesn’t seem to be limited to cetaceans and pinnipeds. Cephalopods, the squid, octopus and cuttlefish that are favored foods of whales and their kin, also appear to be negatively impacted by human generated noise. Check out this Discovery News article from April 2011.

An article published yesterday in CNN Opinion, by Cornell’s Chris Clark and Brandon Southall, formerly of NOAA, offers some thoughtful suggestions as to how we can combat this problem that we’ve created. We created the technology that makes the noise. We can create the technology that minimizes the noise.

The animal shown in the article is a Risso’s Dolphin.

May you have a quiet weekend, except while you’re cheering on the New England Patriots.

Gary Jobson (photo: Billy Black)

Gary Jobson, world-class sailor and president of US SAILING will be the first of 12 distinguished speakers in a combined lecture series beginning on Thursday, February 2 at the Whaling Museum.

Gary Jobson will present “Sailing: Speed and Passion.” A world class sailor, television commentator and author, Jobson is President of US SAILING, the national governing body of sailing in the United States. He has authored 17 books on sailing, is Editor-at-Large of Sailing World and Cruising World magazines and has been ESPN’s sailing commentator since 1985. In October 2003 he was inducted into the America’s Cup Hall of Fame by the Herreshoff Marine Museum. In 1999, Jobson won the Nathanael G. Herreshoff Trophy, US SAILING’s most prestigious award. He currently races a Swan 42, Mustang, and an Etchells, Whirlwind.

Jobson’s illustrated talk is the first of 12 programs scheduled this winter and spring – February 2 through May 10 – part of the Whaling Museum’s three signature lecture series now combined: the Sailors’ Series (5 programs), Man and Whales (3 programs), and the Old Dartmouth Lyceum (4 programs). Held on Thursday evenings, all programs include a reception at 6:30 p.m. in the Jacobs Family Gallery followed by the lecture at 7:30 p.m. in the Cook Memorial Theater.

Admission to each lecture: member, $15; non-member, $20. Select any number of programs when you confirm. Subscription to the combined series: members, $165.00 for all 12 lectures; non-members, $225.00. For tickets please call (508) 997-0046 Ext. 100.

The Sailors’ Series (SS) celebrates its 22nd year with illustrated lectures presenting a wide variety of experience and adventures by individuals with lifelong commitments to sailing, boats, and the sea. Thursdays: February 2 and 16, March 22, April 12 and 19.

The Man and Whales series (M&W) examines our changing views of marine mammals with science-themed lectures that bring focus to important whale conservation topics through the expertise of those who dedicate their professional lives to these issues. Thursdays: March 1, 15 and 29.

The Old Dartmouth Lyceum series (ODL) illuminates broader historical themes with fine and decorative arts by examining significant holdings in the Museum collection, including 19th century landscape painting, ceramics and glassware. Thursdays: April 5 and 26, May 3 and 10.

Schedule:

February 16 – John Rousmaniere: “The Golden Pastime,” an illustrated history of American yachting history. (SS)

March 1 – Dr. Peter Capelotti: “The Whaling Expedition of the Ulysses 1937–38.” (M&W).

March 15 – Dr. Stephen Godfrey: “When Whales Walked the Earth: Fossil Whales and Olfactory Evolution.” (M&W)

March 22 – Douglas Adkins: “Dorade; the History of an Ocean Racing Yacht.” (SS)

March 29 – Capt. Stacy Pedrozo, USN, C.O., Naval Justice School, and Capt. Tom Fetherston, USN Retired, “Whose Homeland Security? Protecting Marine Mammals While Protecting National Security.” (MW)

April 5 – Stuart P. Feld, Hirschl & Adler Galleries: “Museum acquisitions during the tenure of Director and Curator Richard Kugler.” (ODL)

April 12 – Capt. Sean S. Bercaw: “Full Sail into Cuba on the Amistad.” (SS)

April 19 – Rich Wilson: “Race France to France, Leave Antarctica to Starboard.” (SS)

April 26 – Kirk J. Nelson: “New Bedford Glass and Its Context.” (ODL)

May 3 – Keith Kauppila: “Visual Culture of the Civil War,” (ODL)

May 10 – Chris Gustin: “Finding Form.” (ODL).

The 2012 lecture series is presented by BayCoast Bank, and sponsored in part by C. E. Beckman, and Hampton Inn Fairhaven/New Bedford.

The 16th annual Moby-Dick Marathon celebrates the 160th anniversary of Herman Melville’s literary masterpiece with a 25-hour nonstop reading of the book during a weekend of activities and events, January 6 – 8, 2012, including a performance by the critically acclaimed American tenor, Jonathan Boyd. Admission is free.

On Friday, January 6 at 5:30 p.m. the weekend kicks off with a ticketed buffet dinner and cash bar in the Jacobs Family Gallery. For tickets to the dinner ($25), call (508) 997-0046 ext. 100.

Dinner will be followed by a free public lecture titled “Moby-Dick in American Popular Culture,” presented by Dr. Timothy Marr, at 7:15 p.m. in the Cook Memorial Theater. Co-editor of “Ungraspable Phantom: Essays on Moby-Dick,” Professor Marr teaches American Studies at the University of North Carolina at Chapel Hill. He serves as an executive member of the Melville Society Cultural Project and is a contributor to the Melville and the Digital Humanities project of the Melville Electronic Library.

On Saturday, January 7 at 10:00 a.m., “Stump the Scholars II,” returns by popular demand – a free program in which the audience is invited to pose questions to Melville Society scholars on all matters Moby-Dick in the Cook Memorial Theater. Patterned after NPR’s popular quiz show, “Wait, wait, don’t tell me,” prizes will be awarded to those who can stump the scholars.

At 11:30 a.m. in the Bourne Building, Melville Society members will read many of the 80 brief Extracts related to whales and whaling, which Melville included before Chapter 1.

At noon, the Moby-Dick Marathon begins with “Call me Ishmael” – the most famous opening line in American literature. With more than 150 scheduled readers, the marathon will continue through the night, ending early Sunday afternoon. All reading slots have been booked. The public is cordially invited to come and go at any time during the marathon, or stay for the entire 25 hours and win a prize.

On Saturday at approximately 1:30 p.m., marathon participants will walk next door to the historic Seamen’s Bethel (est. 1832) – located at 15

Tenor Jonathan Boyd will sing at the marathon, Jan. 7. Boyd stars in Jake Heggie's new opera, Moby-Dick, which premieres at the San Diego Opera in February. (photo: www.uzanartists.com)

Johnny Cake Hill for the reading of Chapters 7, 8, and 9, titled “The Chapel,” The Pulpit,” and “The Sermon” – all three chapters take place in the original “Whaleman’s Chapel.” This segment will feature a performance by Jonathan Boyd, the critically acclaimed American tenor starring in the San Diego Opera’s co-production of Jake Heggie’s “Moby-Dick,” a new opera hailed “a triumph” by the Dallas Morning News. Boyd has made recent notable debuts at Opéra de Nice and Opéra de Toulon, and has performed with opera companies throughout the United States. He will sing the hymn from Chapter 9.

Readers and guests are also invited to “Chat with a Melville Scholar” from 3:00 p.m. to 5:00 p.m. in the Wattles Family Gallery or take a guided tour of the “Imagining Moby!” exhibit with Dr. Robert Wallace, Northern Kentucky University.

Chapter 40, “Midnight, Forecastle” will be performed in the Cook Memorial Theater by members of Culture*Park, a theater and performing arts collaborative.

The Museum’s website www.whalingmuseum.org will provide live streaming of the marathon throughout the weekend. Tweet the marathon with hashtag #MDM16.

Three related exhibits during the marathon include, “Imagining Moby!,” “Visualizing Melville” and the 1956 Moby-Dick publicity panels. “Imagining Moby!” showcases the collection of Melville scholar, Dr. Elizabeth A. Schultz, including works by Leonard Baskin, Richard Ellis and Rockwell Kent in the Centre Street Gallery, Level 2. “Visualizing Melville” pairs items from the Museum’s collections with Melville’s vivid text, including “Quakers with a vengeance” and “a heathenish array of monstrous clubs and spears” in the Changing Gallery, Level 2. The 1956 Moby-Dick publicity panels feature movie memorabilia displayed in the windows of the Research Library.

Images related to the book will also be projected in the Cook Memorial Theater throughout the marathon, presented by the Museum’s youth apprentices.

A midwinter tradition, attracting hundreds of Melville fans from around the world, the marathon marks the anniversary of Melville’s January 1841 departure from the port of New Bedford and Fairhaven aboard the whale ship, Acushnet.

Refreshments will be available throughout the Marathon.

This year’s marathon is a program of MOBY! – a partnership of the New Bedford Whaling Museum, the Zeiterion Performing Arts Center and New Bedford Whaling National Historical Park to celebrate the iconic tale of the ‘Great White Whale’ and is funded through a grant from the Education through Cultural and Historical Organizations (ECHO), administered by the United States Department of Education, Office of Innovation and Improvement.

Moby-Dick Marathon Weekend Schedule of Events

Friday, January 6

5:30 p.m.: Ticketed buffet dinner and cash bar, Jacobs Family Gallery.

7:15 p.m.: Public lecture, “Moby-Dick in American Popular Culture,” with Dr. Timothy Marr, Cook Memorial Theater.

Saturday, January 7

10:00 a.m.: Stump the Scholars II, Cook Memorial Theater.

11:30 a.m.: Moby-Dick “Extracts,” Bourne Building.

12:00 noon: Moby-Dick Marathon begins, Bourne Building.

1:30 p.m. (approx.): Chapters 7– 9 in the Seamen’s Bethel with tenor Jonathan Boyd.

2:30 p.m. (approx.): Marathon continues, Jacobs Family Gallery.

3:00-5:00 p.m.: Chat with a Melville scholar, Wattles Family Gallery.

3:00-5:00 p.m.: “Imaging Moby!” tour with Dr. Robert Wallace, Centre Street Gallery.

7:00 p.m. (approx.): Chapter 35 to Chapter 40. “Midnight, Forecastle” performed by Culture*Park, Cook Memorial Theater.

8:00 p.m. (approx.): Marathon continues, Jacobs Family Gallery.

Sunday, January 8

1:00 p.m. (approx.): Marathon concludes with the Epilogue.

Ongoing related exhibits: “Imagining Moby!,” “Visualizing Melville” and the 1956 Moby-Dick publicity panels. Moby-Dick slide show, Cook Memorial Theater.

Residents of Barrow are sensitive to how their culture is portrayed, especially if that portrayal is going to be the only information those readers will ever receive. The depiction also has the potential to have an impact when subsistence hunting quotas are brought up for review with the IWC.

Point Barrow, Alaska, watercolor painting by Sophie E. Porter, 1895-1896, from the NBWM's Kendall Collection

New Bedford’s renewed relationship with Barrow, AK, fostered both through the National Park Service and through the ECHO (Education through Cultural and Historical Organizations) program, brought their traditional whale hunts back into our local consciousness. An article in the New York Times from Monday, features a video and a reference to New Bedford whaling tools still being used in Barrow.

The story is also a reminder that effects of climate change are more quickly and easily seen in the planet’s polar regions. Shrinking polar ice caps are changing the way the hunt is conducted. What is not mentioned is that a shorter ice season leads to longer periods of open water that can be pushed by the wind to increase coastal erosion, another issue facing Barrow residents.

Paul Cuffe (1759-1817) was the free-born son of an African father and a Native American mother. A skillful mariner, he was also a successful merchant, philanthropist, community leader, civil rights advocate and abolitionist. In 1780 he petitioned for the right to vote as a landowner and taxpayer. He established the first integrated school in America and became an advisor to President James Madison.

More than 120 guests and the public joined in the dedication ceremonies under a tent on the upper terrace of the Whaling Museum campus overlooking the park, which is sited on the southwest corner of the Museum grounds. The site is also adjacent to the location where Cuffe once kept a store in New Bedford, Cuffe & Howards.

Guests included many Cuffe descendants and numerous Native Americans representing several tribes in Southern New England. A traditional Native American smudge ceremony was performed by the members present to bless the park before local and state officials cut a ribbon opening the new park.

Native American song began the program with the Nettukkusqk Singers – Wampanoag and Nipmuc women from Rhode Island and Massachusetts  – performing women’s drumming and singing traditions from their tribal communities.

Students of the Paul Cuffee Maritime Charter School of Providence, Rhode Island, read brief essays on the life and work of the Captain.

Cuffe descendant Robert Kelley, Esq., was keynote speaker on behalf of the Cuffe family.

The Rev. Pam Cole offered an opening prayer and reflected on the faith of the Quakers – the Society of Friends – the of tenets of which Cuffe and his family practiced

Other speakers included: James Russell, President & CEO, New Bedford Whaling Museum; James Lopes, Esq., Vice President, Education & Programming; Daniel Dilworth, Acting Superintendent, New Bedford Whaling National Historical Park; Lee Blake, President, New Bedford Historical Society; and New Bedford Mayor Scott W. Lang.

The Dedication was the concluding event of “Old Dartmouth Roots,” a free two-day genealogy and local history symposium at the Museum, funded in part by Mass Humanities.

Recently, President Obama, at the direction of the U.S. Department of Commerce, which was following the guidelines of the 1967 Pelly Amendment, directed U.S. officials and delegates to confront their Icelandic counterparts over their country’s hunting of endangered fin whales in 2009 and 2010. Iceland responded with the veiled threat of a negative vote the next time the Subsistence Hunting quota comes up for vote at the IWC meeting. (author’s comment: there is no comparison between commercial hunting and subsistence hunting, and no comparison between the small quota given to the Inupiat and the number of whales killed by Icelandic ships)

The full story can be found at Courthouse News Service.

A map of who’s hunting, where they’re hunting, the species they’re targeting, and a timeline of international protections can both be found in the Whaling Museum’s The Hunt for Knowledge gallery.

In its announcement, AAM stated that reaccreditation is awarded only after a comprehensive yearlong examination and peer review of all aspects of the Whaling Museum’s mission, operations and programming. “Accreditation is emblematic of many things, the highest standards in museum operations, outstanding public programs, and long-term sustainability among them,” said Ford W. Bell, AAM president. “Accreditation is clearly a significant achievement. But put simply, it means the citizens of the communities served by these museums have in their midst one of America’s finest museums.”

In her letter to museum president, James Russell, Dr. Bonnie W. Styles, Chair of the AAM Accreditation Commission, wrote “We found the museum to be a highly performing organization that has a solid strategic plan, excellent community engagement and is dealing strategically and realistically with budget hardships. We particularly liked the three-tier intern apprenticeship program. The museum is also a good example of merging history and science together in exhibits and programming.”

Mr. Russell noted the importance of reaccreditation. “We are extremely proud of this achievement. It validates years of hard work on the part of our dedicated trustees, volunteers and staff – evaluated against the strictest professional and national standards. This honor elevates all of New Bedford and the South Coast region, and it reenergizes us in the continued building of a greater, stronger Whaling Museum,” he said.

AAM Accreditation recognizes the highest standards in individual museums and ensures that museums continue to uphold their public trust. Developed and sustained by museum professionals for 40 years, the AAM museum accreditation program is the field’s primary vehicle for quality assurance, self-regulation and public accountability.