Mark Leary, Korey Martin and Dana Costa install custom doors and panels made by GNB Voc-Tech carpentry students for “Scrimshaw: Shipboard Art of the Whalers” opening May 13, 2pm.

Building the many and varied display cases needed for the world’s largest scrimshaw exhibit would have been a daunting task were it not for the students of Greater New Bedford Regional Vocational Technical High School. Voc-Tech’s carpentry classes fabricated more than 29 custom doors and viewing panels for the new gallery, set to open to the public on Mothers Day, Sunday, May 13 at 2:00 p.m.

James Russell, museum president, lauded the students’ work, noting “How great is it that much of what we admire in the museum’s collection was made by master craftsmen! Today, skilled students from Voc-Tech are back at the museum, helping to build exhibits that house these masterpieces – to be enjoyed by New Bedford residents and visitors for years to come.”

The museum’s staff, designers and carpenters worked with GNB Voc-Tech’s coordinator of construction projects, Robert Gomes, and carpentry teacher, Donald Derosiers, on the exacting specifications for the elaborate cabinetry required to exhibit hundreds of rare examples of scrimshaw – the 19th century shipboard art of whalers. Students utilized the school’s state-of-the-art CNC (computer numerical control) milling machinery to create the seamless doorframes and panels.

Master carpenter, Dana Costa, rebuilt and refitted existing museum cases and installed the Voc-Tech components with the assistance of Mark Leary and Korey Martin.

The exhibit opening caps the museum’s 23rd annual Scrimshaw Weekend, May 11-13, which attracts scrimshaw experts, collectors and fans from around the world. Titled Scrimshaw: Shipboard Art of the Whalers, the exhibit is curated Dr. Stuart M. Frank, Senior Curator, with the assistance of museum volunteers John Antones, Richard Donnelly, Michael Gerstein, Vasant Gideon, Judith Lund, Barbara Moss, Sanford Moss, Catherine Reynolds and James Vaccarino.

The largest permanent exhibit of its kind, Scrimshaw: Shipboard Art of the Whalers coincides with the launch of a major new book on scrimshaw, titled Ingenious Contrivances, Curiously Carved: Scrimshaw in the New Bedford Whaling Museum by Dr. Frank – a 400-page reference with more than 700 photographs by Richard Donnelly.

Admission to the Sunday opening of the scrimshaw exhibit and book launch: regular admission rates apply. In honor of Mother’s Day, mothers are admitted free when accompanied by at least one member of her family.

Chris Gustin

Christopher S. Gustin will present an illustrated lecture titled Finding Form, on Thursday, May 10 at 7:30 p.m. in the museum’s Cook Memorial Theater. A reception at 6:30 p.m. in the Jacobs Family Gallery precedes the lecture.

Chris Gustin is a studio artist and former professor at University of Massachusetts Dartmouth. His work is published extensively and is represented in numerous public and private collections. With over 40 solo exhibitions, he has exhibited, lectured and taught workshops in the United States, the Caribbean, South America, Europe, the Middle East and Asia. Chris is cofounder of the Watershed Center for the Ceramic Arts in Maine, where he serves as vice president on its board of trustees

Born in Chicago, Chris grew up in Los Angeles. After running one of his family’s small commercial ceramics factories, he attended Kansas City Art Institute, receiving a BFA in ceramics. He earned his MFA at the New York State College of Ceramics at Alfred University and established his first clay studio in Guilford, Connecticut, with his sister-in-law Jane Gustin, where they produced functional and sculptural pottery.

Chris has taught at Parson’s School of Design, Boston University, and the Swain School of Design in New Bedford, Massachusetts, where he became Associate Professor of Ceramics and head of the ceramics program. Swain School subsequently merged in 1988 with Southeastern Massachusetts University, now University of Massachusetts Dartmouth.

Chris retired from teaching 1999 to focus on his work at his South Dartmouth atelier. He also continues to direct Gustin Ceramics LLC, a custom tile manufacturing company, which he established in 1996 and whose products are represented nationally by architects, designers and tile showrooms.

Admission: $15 members; $20 non-members. For tickets, call (508) 997-0046 Ext. 100.

Purchase tickets via link on Old Dartmouth Lyceum webpage.

The New Bedford Whaling Museum 2012 Speakers’ Series is presented by BayCoast Bank, and sponsored in part by C.E. Beckman, and Hampton Inn Fairhaven/New Bedford.

"Wharfage," oil on linen, 2011, is in an exhibition of new works by Dora Atwater Millikin opening May 18

An exhibition of new paintings titled Dora Atwater Millikin: A Portrait of New Bedford Harbor Today will open at the New Bedford Whaling Museum on Friday, May 18 at 5:30 p.m. in the Centre Street Gallery – Level II.

With her studio in Westport Point, Massachusetts, Millikin has studied the New Bedford waterfront for years, inspired by its busy harbor and the fishing industry. The exhibition explores volume, shape, light, color, and texture, reflecting the artist’s interest in the everyday and the ordinary, the gritty and the ‘real’ – while at the same time revealing the material properties of the paint itself and the luminosity it creates in juxtaposition.

Dora Atwater Millikin grew up in Little Compton, Rhode Island. She was educated at the Stoneleigh-Burnham School, Greenfield, Massachusetts, Newcomb College (Tulane University in New Orleans, Louisiana), and Lyme Academy College of Fine Arts, Old Lyme, Connecticut. She has served as vice president of the board of directors of both The Art League of Rhode Island and South Coast Artists, Inc., and she is an elected artist member of the Copley Society.

Recognition of her work includes the Edwin Gould Foundation Award, the John Stobart Fellowship Award, the Joseph Hartley Memorial Award for Oil, and the Fidelity Investments annual juried competition at the Providence Art Club.

An artist member and painting teacher at the Providence Art Club, Dora’s work is represented by Walker-Cunningham Fine Art, Boston. Her work can be found in museum, corporate and private collections in the United State and Europe.

The exhibition runs through October 18, 2012

The Stone Fleet, which sailed from New Bedford, Nov. 16, 1861, by Benjamin Russell (1804-1885). It will be one of many images from the Whaling Museum discussed in “The Visual Culture of the Civil War Era.”

Keith Kauppila, Esq. will present an illustrated lecture titled The Visual Culture of the Civil War, on Thursday, May 3 at 7:30 p.m., Cook Memorial Theater, New Bedford Whaling Museum. A reception at 6:30 p.m. in the Jacobs Family Gallery precedes the lecture.

This lecture is part of the 2012 Old Dartmouth Lyceum series, and one of three Civil War related programs being offer by area organizations, including the New Bedford Historical Society, Friends of the New Bedford Free Public Library, New Bedford Civil War Roundtable, and Fort Taber~Fort Rodman Military Museum.

 Mr. Kauppila will discuss perspectives on painting inspired by the “War Between the States.” Several pieces from theWhalingMuseumcollection will be highlighted during this presentation. Mr. Kauppila has a deep interest in the visual and decorative arts and has been active on the museum’s collections committee. He currently serves on the Board of Governors at the Addison Gallery of American Art atPhillipsAcademy.

Other Civil War related programs include:

April 27:  “New Bedford’s Civil War” Professor Earl Mulderink, author of a new book published by Fordham University Press, titled New Bedford’s Civil War will present an illustrated talk on his research on Friday, April 27 at 7:00 p.m. at the Whaling Museum.  This free program is part of a national book tour and includes a book-signing. It is co-sponsored by the New Bedford Historical Society, Friends of the New Bedford Public Library, Fort Taber~Fort Rodman Military Museum, New Bedford Civil War Roundtable, and the New Bedford Whaling Museum.

May 22: “The Day the South Lost the War: The Fall of New Orleans” Historian A. Wilson Greene will present an illustrated lecture titled The Day the South Lost the War: The Fall of New Orleans on Tuesday, May 22 at 7:00 p.m. at the Whaling Museum. This free lecture focuses on the combinedUnion naval and army operation in the spring of 1862 that resulted in the capture of the Confederacy’s largest city and most important port. Presented in association with theNew Bedford Civil War Round Table, Mr. Greene has been Study Leader for more than 40 Smithsonian Institute tours and seminars covering all the major Civil War campaigns and has spoken to more than 100 Civil War Roundtables across the country.

Old Dartmouth Lyceum admission on May 3: $15 members; $20 non-members. For tickets, call (508) 997-0046 Ext. 100. The lectures on April 27 and May 22 are free.

The New Bedford Whaling Museum 2012 Speakers’ Series, of which the Old Dartmouth Lyceum is a part, is presented by BayCoast Bank, and sponsored in part by C.E. Beckman, and Hampton Inn Fairhaven/New Bedford.

Aboard the doomed ship was Mattapoisett native son, Francis Davis Millet. Like other local artists – Albert Bierstadt and William Bradford before him – Millet rose to prominence in the international art world. He was particularly involved in the conceptual design of the World’s Columbian Exposition of 1892 in Chicago and he won numerous international awards for his work.

Millet went down with the ship and purportedly with him, went plans for a panoramic mural of New Bedford history, which he agreed to create for the walls of the newly expanded New Bedford Free Public Library, which only recently had reopened in 1912 in the fully rebuilt “Old City Hall” that had sustained extensive fire damage in 1906.

The Millet mural was to encompass the ornate concave cove connecting the walls and ceiling above the internal oculus of the third floor. The mural was to depict Gosnold’s 1602 discovery of the harbor, the Whaling Era and the thriving textile industry of 1912.

Millet’s 1903 mural for the Call Room of Baltimore’s Custom-House provides a hint of what the New Bedford Mural might have looked like. A photo of Millet and his assistants at work on the Baltimore mural survives and reveals that he included a whale ship in that scene.

A synopsis of Millet’s many accomplishments are well noted in Artists of New Bedford; A Biographical Dictionary, by Mary Jean Blasdale, published at the New Bedford Whaling Museum by the Old Dartmouth Historical Society in 1990.

In the 61st Annual Report of the Library in 1912, Librarian George H. Tripp lamented “Mr. Millet’s death, before the beginning of the mural decorations which were to adorn the library walls and at the same time commemorate allegorically certain features of New Bedford past, was a serious misfortune to New Bedford. The artist, in his letters to New Bedford people, previous to his death, had indicated that he was about ready to be begin the series of paintings which he had thought out as appropriate. While the decorations of the walls will, in all probability, be treated somewhat after the original plan at some time in the future, the trustees feel that Mr. Millet was the one man for the work, because of his reputation for fine attainment, and because of his familiarity with the traditions of the calling which it was understood he would illustrate.”

The Trustees voted in 1912 to purchase “the well-known picture, “The Black Sheep,” from the heirs of Francis D. Millet.” It still hangs in the library today. Millet rests in Central Cemetery, East Bridgewater – his boyhood home after Mattapoisett.

Tripp was correct in his assessments but for the assumption that a mural similar to Millet’s conception would be accomplished. It was not to be.

A little more than a decade ago, while the Library’s final restoration phase was underway, there was some interest in seeing a mural realized in the style of Millet. However, it did not happen, due to funding – and perhaps more importantly – because Millet’s grand design dissolved in the deep on that cold April night. The Library cove remains a blank canvas; silent testament of what could have been, but for the hand of fate.

Kirk J. Nelson

Kirk J. Nelson will present an illustrated lecture titled New Bedford Glass and Its Context on Thursday, April 26 at 7:30 p.m. – part of the 2012 Old Dartmouth Lyceum lecture series on fine and decorative arts. A reception at 6:30 p.m. in the Jacobs Family Gallery precedes the lecture.

Mr. Nelson is executive director of the New Bedford Museum of Glass, located at 61 Wamsutta Street. He earned his MA degree and Certificate of Museum Studies from the Winterthur Program in Early American Culture at the Winterthur Museum and the University of Delaware. An expert on the development of the American glass press during the 1820s and 1830s, Mr. Nelson is an Honorary Fellow of the Corning Museum of Glass, former Curator of Glass at the Sandwich Glass Museum and former Curator of Art & Decorative Arts at the Bennington Museum. He has lectured and published extensively on a wide variety of glass-related subjects. His practical glass working experience includes Pairpoint Crystal, Inc. of Sagamore, Massachusetts, and the operation of a glass studio in East Sandwich.

In 1993, Mr. Nelson was one of five founding trustees to establish the Glass Art Center, Inc., which was affiliated with Bradford College in Bradford, Massachusetts. After the closing of the college the Center relocated to New Bedford and reincorporated in 2006 as the New Bedford Museum of Glass.

The museum collection consists of 7,000 objects documenting more than 3,000 years of glassmaking history. It covers many regions and periods, from ancient to contemporary, with special emphasis on the city of New Bedford, celebrated in the late 19th century as the “Art Glass Headquarters of the Country.” Rose Amber glass, Crown Milano, Royal Flemish, Burmese and Lava glass are just a few of the exotic lines developed in New Bedford.

The museum’s library holds more than 8,000 volumes in ten languages on glass related topics, including the Shirley Collection of the Mount Washington Glass Company – containing the firm’s original glass patents, trade catalogs, correspondence, photographs, and international awards.

Admission to the lecture and reception: $15 members; $20 non-members. For tickets, call (508) 997-0046 Ext. 100.

The 2012 Speakers’ Series is presented by BayCoast Bank, and sponsored in part by C.E. Beckman, and Hampton Inn Fairhaven/New Bedford.

William Bradford's 1866 painting, "Sealers Crushed by Icebergs" (above). Stuart P. Feld and Richard C. Kugler (below, left to right) pose in front of the Bradford in 2003. Mr. Feld will talk on April 5th about the many important works added to the Museum's collection during Mr. Kugler's directorship. The program will include a reception and presentation of a major gift to the museum in Mr. Kugler's honor.

Stuart P. Feld, president of Hirschl & Adler Galleries, New York, opens the 2012 Old Dartmouth Lyceum lecture series with an illustrated program titled Whaling Museum acquisitions during the tenure of Director and Curator Richard C. Kugler on Thursday, April 5 at 7:30 p.m. in the Cook Memorial Theater. A reception at 6:30 p.m. honoring Mr. Kugler in the Jacobs Family Gallery precedes the lecture.

A leading authority on American art, Mr. Feld will share his insights on 19th century paintings acquired by the museum during Mr. Kugler’s 25 years of service – a period of prodigious growth in the scope and breadth of the collection. The lecture will focus on works by celebrated American artist, William Bradford (1823-1892), a traveler and adventurer fascinated with the Arctic landscape. Mr. Kugler is a biographer and recognized expert on Bradford.

Mr. Feld became one of the first Fellows at The Metropolitan Museum of Art 1961. He worked in the Department of American Paintings and Sculpture at The Metropolitan Museum, during which time he co-authored American Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. In 1967, he left his post as Associate Curator in Charge of the Department and joined Hirschl & Adler Galleries as a partner, becoming its sole proprietor in 1982. He has authored many articles and catalogues in the field of American Art – both fine and decorative arts – and is a frequent lecturer around the country.

The evening will also include a special presentation by Bruce and Karen Wilburn of their major gift to the museum, minus fees, of $150,000 – netted recently from the sale at auction of their copy of a rare 1873 book by Bradford, titled The Arctic Regions: Illustrated with Photographs Taken on an Art Expedition – at the Swann Galleries, New York City. The gift will fund several museum projects related to the history of arctic exploration.

James Russell, museum president said, “On behalf of the trustees, I wish to sincerely thank Bruce and Karen Wilburn for their remarkable gift. It will enable the museum to tell an extraordinary chapter in the story of American exploration and in the life of William Bradford – a New Bedford native who rose to become one of the great names in 19th century American art – and whose work in the Arctic more than 140 years ago holds new relevancy for current scientific research and global climate change.”

Mr. Wilburn noted “We would not have made this contribution were it not for Dick Kugler. Over the many years that we have been associated with the museum, Dick was always accessible, immensely knowledgeable and a phenomenal asset to the organization. His name is synonymous with Bradford and it is with great appreciation and affection for him that we make this gift.”

Frances F. Levin, chair of the museum’s collection committee, noted “under Dick Kugler’s leadership the museum collection grew to become truly world-class. In particular, his extraordinary scholarship and vision in acquiring Bradford’s works is a lasting legacy, one which continues to inspire significant gifts such as the Wilburns’ and will in turn produce new insights into the nexus of art and science, as will be seen next year.”

Michael Lapides, director of digital initiatives and curator for next year’s exhibition, said, “The Wilburns’ generous gift will enable the museum to create Arctic Regions: Away then Floats the Ice-Island, scheduled to open spring of 2013. Bradford’s rare elephant folio will be at the core of this exhibit. Many of the original wet plate collodian negatives made on the 1869 voyage belong to the Museum and will be used to produce spectacular prints. The exhibit will highlight intersections between art, commerce, science and exploration. These funds will also enable the museum to republish Bradford’s book, as well as offer educational programming.”

Admission: $15 members; $20 non-members. For tickets, call (508) 997-0046 Ext. 100.

The 2012 Speakers’ Series is presented by BayCoast Bank, and sponsored in part by C.E. Beckman, and Hampton Inn Fairhaven/New Bedford.

"The Whale Beached between Scheveningen and Katwijk, with Elegant Sightseers," by Esaias van den Velde, c.1617, is one of several Dutch Old Master whaling paintings in “Seven Continents, Seven Seas” opening February 9 and will be the subject of a free lecture by Dr. Stuart Frank at 7:30 p.m.

Admission to the opening, lecture and reception is free.

“This year marks the tenth anniversary of the gift of the entire holdings of the former Kendall Whaling Museum to the permanent collection of the New Bedford Whaling Museum. This provides a fitting occasion for showing highlights, reflecting the broad international and chronological compass of our combined collections,” said Dr. Frank.

Dutch Old Master whaling paintings will be represented, along with major British marine paintings of the 18th and 19th centuries by Continental European and American painters. The exhibit also includes visions of Africa, Australia, and Antarctica, representing all seven continents and all seven seas in the selected paintings, watercolors, ship models, Japanese scrolls and sculptural works.

Admission to all museum galleries on AHA! night is buy one, get one free (of equal or lesser value).

Abe Lincoln, played by Arthur Bennett, hands out his portrait - a penny - to school children at the Annual Presidents' Day Birthday Celebration

Abraham Lincoln came to New Bedford in 1848 and will make a return trip – accompanied by George Washington – to visit with children and enjoy birthday cake at the Museum’s Presidents’ Day Birthday Celebration on Monday, February 20,from 10:00 a.m. to 2:00 p.m. in the Jacobs Family Gallery.

Explore how the Founding Fathers influenced New Bedford history, participate in a scavenger hunt, create sailors’ valentines, learn how to make origami whales, and more. Children will have the opportunity to dress as their favorite president and have their photograph taken beside the famous Resolute desk, created from the same ship’s timbers as the one used in the Oval Office. Children must be accompanied by an adult.

Presidents’ Day events are free. Regular admission rates apply to the museum galleries.

Presidents’ Day schedule includes crafts and activities for children, 10:00 a.m. to 1:00 p.m.; storytelling with President Lincoln, 11:00 to 11:30 a.m.; scavenger hunt, 11:30 to 12:30 p.m.; dress like a president beside the Resolute Desk, noon to 1:00 p.m.; add your face to Mount Rushmore alongside Washington, Lincoln, Roosevelt and Jefferson, 10:00 a.m. to 2:00 p.m.; storytelling with President Washington, 1:00 to 1:30 p.m.; and Happy Birthday sing-along and cake with the Presidents, 1:30 to 2:00 p.m.

Presidents’ Day kicks off a week of events for school vacation week that includes special tours and hands-on activities each day, culminating with Chocolate Day on Saturday, February 25.

School vacation week activities

Tuesday-Friday, February 21-24, 10:00 a.m. to 11:00 a.m. and 1:00 p.m. to 2:00 p.m.: Museum highlights tours led by docents that include the opportunity to go below decks on the Lagoda. Regular admission rates apply.

Tuesday, February 21, 11:00 a.m. to 12:00 p.m.: Moby-Dick highlights tour. Herman Melville’s great American novel comes to life on this tour of the Museum’s collection. The tour will leave from the front desk. Regular admission rates apply.

Wednesday, February 22, 10:00 a.m. to 12:00 p.m.: Make your own scrimshaw, learn to draw a whale, learn to make origami whales, and more. Free.

Thursday, February 23, 10:00 a.m. to 12:00 p.m.: Create your own Sailors’ Valentines and take them home as a keepsake. Free.

Friday, February 24, 10:00 a.m. to 12:00 p.m.: All aboard the Lagoda! Join the crew of Capt. Calvinilius (C.) Weade on board the Lagoda for an adventure on the high seas. Travel the world, interact with foreign people, learn the ropes of the whaleship, and go a-whaling. Regular admission rates apply.

Saturday, February 25, 11:00 a.m. to 4:00 p.m.: Valentines Day II – Chocolate Day! Learn where chocolate comes from, how it came to colonial New England, and how cocoa was made in early America. Did New Bedford whalers drink chocolate at sea? Free lectures and demonstrations of colonial-style chocolate making with free samples from American Heritage Chocolate. Authors Christopher Kelly, Dr. Timothy Walker (University of Massachusetts Dartmouth), and Rodney Snyder (Mars, Inc.) will discuss the history of chocolate, and the chapters they contributed to Chocolate: History, Culture and Heritage. Copies, signed by the authors, will be available for sale in the Museum store.

Gary Jobson (photo: Billy Black)

Gary Jobson, world-class sailor and president of US SAILING will be the first of 12 distinguished speakers in a combined lecture series beginning on Thursday, February 2 at the Whaling Museum.

Gary Jobson will present “Sailing: Speed and Passion.” A world class sailor, television commentator and author, Jobson is President of US SAILING, the national governing body of sailing in the United States. He has authored 17 books on sailing, is Editor-at-Large of Sailing World and Cruising World magazines and has been ESPN’s sailing commentator since 1985. In October 2003 he was inducted into the America’s Cup Hall of Fame by the Herreshoff Marine Museum. In 1999, Jobson won the Nathanael G. Herreshoff Trophy, US SAILING’s most prestigious award. He currently races a Swan 42, Mustang, and an Etchells, Whirlwind.

Jobson’s illustrated talk is the first of 12 programs scheduled this winter and spring – February 2 through May 10 – part of the Whaling Museum’s three signature lecture series now combined: the Sailors’ Series (5 programs), Man and Whales (3 programs), and the Old Dartmouth Lyceum (4 programs). Held on Thursday evenings, all programs include a reception at 6:30 p.m. in the Jacobs Family Gallery followed by the lecture at 7:30 p.m. in the Cook Memorial Theater.

Admission to each lecture: member, $15; non-member, $20. Select any number of programs when you confirm. Subscription to the combined series: members, $165.00 for all 12 lectures; non-members, $225.00. For tickets please call (508) 997-0046 Ext. 100.

The Sailors’ Series (SS) celebrates its 22nd year with illustrated lectures presenting a wide variety of experience and adventures by individuals with lifelong commitments to sailing, boats, and the sea. Thursdays: February 2 and 16, March 22, April 12 and 19.

The Man and Whales series (M&W) examines our changing views of marine mammals with science-themed lectures that bring focus to important whale conservation topics through the expertise of those who dedicate their professional lives to these issues. Thursdays: March 1, 15 and 29.

The Old Dartmouth Lyceum series (ODL) illuminates broader historical themes with fine and decorative arts by examining significant holdings in the Museum collection, including 19th century landscape painting, ceramics and glassware. Thursdays: April 5 and 26, May 3 and 10.

Schedule:

February 16 – John Rousmaniere: “The Golden Pastime,” an illustrated history of American yachting history. (SS)

March 1 – Dr. Peter Capelotti: “The Whaling Expedition of the Ulysses 1937–38.” (M&W).

March 15 – Dr. Stephen Godfrey: “When Whales Walked the Earth: Fossil Whales and Olfactory Evolution.” (M&W)

March 22 – Douglas Adkins: “Dorade; the History of an Ocean Racing Yacht.” (SS)

March 29 – Capt. Stacy Pedrozo, USN, C.O., Naval Justice School, and Capt. Tom Fetherston, USN Retired, “Whose Homeland Security? Protecting Marine Mammals While Protecting National Security.” (MW)

April 5 – Stuart P. Feld, Hirschl & Adler Galleries: “Museum acquisitions during the tenure of Director and Curator Richard Kugler.” (ODL)

April 12 – Capt. Sean S. Bercaw: “Full Sail into Cuba on the Amistad.” (SS)

April 19 – Rich Wilson: “Race France to France, Leave Antarctica to Starboard.” (SS)

April 26 – Kirk J. Nelson: “New Bedford Glass and Its Context.” (ODL)

May 3 – Keith Kauppila: “Visual Culture of the Civil War,” (ODL)

May 10 – Chris Gustin: “Finding Form.” (ODL).

The 2012 lecture series is presented by BayCoast Bank, and sponsored in part by C. E. Beckman, and Hampton Inn Fairhaven/New Bedford.